Valentine’s Day tops my list of saccharine Hallmark holidays that suck. When my good friend EKG shared his plans to put on a dark, Valentine’s Eve extravaganza, I knew his idea would resonate with many people:
“The EKG♥NYC exhibition installation is a silhouette of an abstraction of our cityscape constructed of everyday objects painted black and orange: a metaphor for human resonance manifested on the corporeal plane and the wafting misty sparking static of the Aetherial Semiotosphere that electrifies the space between the physical and the mental, consisting of an aspirational architecture of spires and grids; a wireframe conglomeration of modular three-dimensional schematics; an energizing iconographic display of orange resonance, wraiths, chimeras, apparitions, projections, illuminations, emanations, vibrations, palpitations, oscillations, transmissions, frequencies, broadcasts, signals, ripples, waves, pulses, blips; an uplifting experience broadcast through radars, tridents, buttons, balloons, stickers, t-shirts, zines, prints, patches, flags, drawings, paintings.”
Sound designer Jefferson Wells will also strike some chords at the opening. Come for the mutant cityscape, stay for the dronecore – it promises to be a very metal way to ring in the weekend.
( ( ( EKG ♥ NYC ) ) )
An All Hallows’ Valentine’s Eve Celebration of Misfit Love, Mutant Science and Aesthetic Rebellion.
Opening: Friday, February 13, 6-10pm
Viewing hours: February 14 & 15, 12-6pm. February 16-28 by appointment.
Location: Skewville Laboratories, 35-18 37th Street (btwn 36th & 35th Aves), Long Island City, Queens, NYC.
Transit: R/M trains to “Steinway” stop; or N/Q trains to “36th Avenue” stop.
[Clet Abraham in NYC – all photos (c) Luna Park]
[Toynbee Tiles – all photos (c) Luna Park]
It’s always a pleasure to photograph Cern‘s work… here’s a selection of some murals painted around New York this year. His colorful flora and fauna (kitties!!) always put a smile on my face.
It’s been just a little over a year since the world’s most high profile street artist, Banksy, manifested Better Out Than In, his October 2013 show in New York. His residency proved to be a runaway sensation, achieving an unprecedented media saturation by enthralling legions of increasingly rabid fans with a calculated, daily presentation of new pieces citywide. In all my years of documenting street art in New York, I’d never experienced anything quite like this residency. The month-long spectacle rolled out largely via social media, with seasoned documenters and newbie, self-proclaimed Banksy hunters alike sharing their experiences each day in a frenzied race against the clock and against the myriad forces that conspired to cut each piece’s longevity short. For those in the know, the #banksyny hashtag became the mainline for the daily Banksy infusion. And as documentation from each daily scene showed, many New Yorkers got hooked… on the art as well as the ensuing sideshow.
Via his well-respected Carnage imprint, fellow street photographer and long-time Banksy fan, Ray Mock, recently published Banksy in New York, an account of the residency from the point of view of a quintessential graffiti insider. I can’t recommend this volume enough.
And this past Friday, on the one year anniversary of the close of the residency, filmmaker Chris Mourkabel’s documentary Banksy Does New York was released on HBOGo, with the premiere, cable TV broadcast on HBO scheduled for Monday, November 17th at 9pm EST. The bulk of the footage for the film was crowd-sourced, allowing for multiple, unique perspectives on the residency as it unfolded. I’m honored to have been interviewed for the film alongside Jaime Rojo & Steve Harrington of Brooklyn Street Art, RJ Rushmore & Caroline Caldwell of Vandalog, Hrag Vartanian of Hyperallergic and others. You can watch a short trailer below:
There’s one trend this summer I actually welcome wholeheartedly and that’s a steady uptick in the number of ad takeovers. (Hey, the New York Times is even sorta on it.)
Empowered by adbusting, artist activists such as Poster Boy and PublicAdCampaign (NO AD app coming soon), public space minded artists are keying into NYC bus shelters, newsstands and phone booths, replacing ads with art (and impunity).
This recent phonebooth takeover collaboration between Clint Mario and Me_NewYork includes a hilarious riff on a well-known Mens Wearhouse ad featuring former founder George Zimmer – they promise that we’re “gonna like the way Clint looks.”
Italian artist BR1 used a visit to NYC to introduce a series titled “Israeli Olives from Palestinian Trees”.
After a long absence, Specter returns to New York City’s streets, installing a series of abstracts, a project I hope he continues.
Lister hit a couple bus shelters in Manhattan, but they were removed before I could catch them.
The QRST and ELLE shelter pieces below both ran surprisingly long, despite QRST insisting “This is Temporary”.
PublicAdCampaign leads by example.
Poster Boy comes through with quite possibly my favorite ad takeover slash billboard liberation, asking a very pertinent and relevant question indeed.
Here’s video of the installation: